“You promised to help him,” said the child. She leant forward, fixing her eyes on him. “Don’t tell me,” she persisted, “that you had none. That life is all just mere blind chance. Think of the young men who are hanging on your answer. Won’t you send them a message?”!

“I want you to be just yourself,” said Joan; “a kind, good woman of the people, who will win their respect, and set them an example.” She moved across and seating herself on the arm of Mrs. Phillips’s chair, touched lightly with her hand the flaxen hair and the rouged cheek. “I want you to get rid of all this,” she whispered. “It isn’t worthy of you. Leave it to the silly dolls and the bad women.” Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them.

“But I’m so useless,” pleaded the woman. Joan’s eyes followed. It was certainly an odd collection. Flossie, in her hunt for brains, had issued her invitations broadcast; and her fate had been that of the Charity concert. Not all the stars upon whom she had most depended had turned up. On the other hand not a single freak had failed her. At the moment, the centre of the room was occupied by a gentleman and two ladies in classical drapery. They were holding hands in an attitude suggestive of a bas-relief. Joan remembered them, having seen them on one or two occasions wandering in the King’s Road, Chelsea; still maintaining, as far as the traffic would allow, the bas-relief suggestion; and generally surrounded by a crowd of children, ever hopeful that at the next corner they would stop and do something really interesting. They belonged to a society whose object was to lure the London public by the force of example towards the adoption of the early Greek fashions and the simpler Greek attitudes. A friend of Flossie’s had thrown in her lot with them, but could never be induced to abandon her umbrella. They also, as Joan told herself, were reformers. Near to them was a picturesque gentleman with a beard down to his waist whose “stunt”—as Flossie would have termed it—was hygienic clothing; it seemed to contain an undue proportion of fresh air. There were ladies in coats and stand-up collars, and gentlemen with ringlets. More than one of the guests would have been better, though perhaps not happier, for a bath. To her surprise, he agreed with her. “The feudal system had a fine idea in it,” he said, “if it had been honestly carried out. A master should be the friend, the helper of his men. They should be one family.”